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Charles Jennings MCJ/lcd Duble UnderDouble Underline7E HEADINGSCenter an boldface8 2 * ă 2A9sn>:~>;A_?<x@LIST LEV 1Hanging indent, 1/2 inch9ECX  (# LIST LEV 2Hanging indent, 1 inch:HX X` (#` ENVELOPECorporate envelope; 3'3'Standard,,Envelope: XHP L  ` X  X TO:Addressee of Memo< | TO: X X` 2%D=oJA>NA?pC@wCFROM:Writer's Name=& FROM: ` NORMAL TEXT1 inch margins, tabs every 1/2", double space>"r    X` hp x (#%'X` hp x (#%'@SUBJECTSubject of Memo?D SUBJECT: ` LPRH MEMOHeading of Memo@V2  LOCKE PURNELL RAIN HARRELL "Interoffice Memo DATE:`  2VA1WDBbECfEDPTLABELSAN\ 3'3'Standard3' II Emily Teague 2 ">`3'Labelsies IIHPLASEII.PRS"  X, 1Bd `%PMACNormal C3     X` hp x (#%'0*,.8135ʈ:<     :}D4P T I. A. 1. a.(1)(a) i) a)T,0*ÍÍ,*Í ., US!!!! !     ,4` <hDp L!T$&)\+- 0d247l9;>t@ u\4 P      X` hp x (#%'0*,.8135ʈ:<     :}D4P ,0*ÍÍ,*Í ., US!!!! !     ,4` <hDp L!T$&)\+- 0d247l9;>t@ :}D4P  D##X4` <hDp Lx !(#T$%&')\+- 0d24     F  Pg9 џX4` <hDp Lx !(#T$%&')\+- 0d24     :}D4Pg9 2[E WFe>ZGZH#[CeremonyWest Kingdom Ceremony BookE(v XX  XX 4` X y Xdddy West Kingdom Ceremony Book`G!T$Page ؃ y Xdddy Page `_T$West Kingdom Ceremony BookHeading 2Underlined Heading Flush LeftF14 Heading 1Centered Headingcal StyleG 4G Y * Ã  Bullet ListIndented Bullet ListH*M0 Y XX` ` (#` 2_IO[J}-^K^L2_blazon=X=BBc_ѢѢ2QFX=X=_(} K'6 K'X=#%IX'#]9 x# X'#]9 x#a1Paragraph#%1. a. i. (1) (a) (i) 1) a)Ѣ2QFX=X=_(J$ a2Paragraph#%1. a. i. (1) (a) (i) 1) a)Ѣ2QFX=X=_(K/ a3Paragraph#%1. a. i. (1) (a) (i) 1) a)Ѣ2QFX=X=_(L: 2bM_N`O>aPaa4Paragraph#%1. a. i. (1) (a) (i) 1) a)Ѣ2QFX=X=_(ME   a5Paragraph#%1. a. i. (1) (a) (i) 1) a)Ѣ2QFX=X=_(NP   a6Paragraph#%1. a. i. (1) (a) (i) 1) a)Ѣ2QFX=X=_(O[  a7Paragraph#%1. a. i. (1) (a) (i) 1) a)Ѣ2QFX=X=_(Pf 2fQbRXcSdTda8Paragraph#%1. a. i. (1) (a) (i) 1) a)Ѣ2QFX=X=_(Qq Submission fess R33 KingdomډvII;S-e xPT PCommentaryerved T]U^4 <D4 <D,x 4 <D4 <D2kUkfVNgWjXpekLOI ->ParaLetter of Intent indented paragraphU n;XT$ LOI InitInitialize Letter of IntentV;L ? П#x6X@ X@#  d! BRIGANTIA LETTER OF INTENT D1 3, AS XXVII (4)D ă X    1 1 1  I. A. 1. a.(1)(a) i) a) 1. a. i.(1)(a)(i) 1) a)X` hp x (#%'0*,.8135ʈ:t@D1 3, AS XXVII (4)D LOI NumberLetter of Intent numbered paragraphW*eY I.  LOI Blazonn-Letter of Intent blazond paragraphX lX<  2qYqlZqxl[ll\Uo2s1Extra space btw and single spaces within parsY 3s1Z@ @footer[^#Z PP#X` hp x (#%'0*#Xx PXP#Bibliography\#  8 #P PP#X` hp x (#%'0*#Xx PXP#2y]r^ht_v`X{yLoI Notes]0X` hp x (#% #P PP#X` hp x (#%'0* #Xx PXP#Laurel_quote^  r rb#PPP#X` hp x (#%'0*#Xx PXP#Comments_on_&  X` hp x (#% #Xx PXP#X` hp x (#%'0* #Xx PXP#Body Text`2|adzbdizczd{LsCommented na;  Emphasisbr߉ Saxon gc;e-* xI #dX$P_C `XP#3# dX$P_C `XP#RefInLoCCd'6-  ?  2 re: , by 2eoF|fS}gXhX`Header Stylee k X4 <D%P#x\  PCXP#para fg   X` hp x (#%'0*,.8135ʈ:, and the examples cited in the LoI are not support for  ?this form. Nor does the byname have any likely signification on its face. In the absence of adequate documentation, we are forced to return this.(#" +-$,$,-"Ԍ yO ANSTEORRA  yP- David M1chel Mac Laisre. Name and device. Sable, on a flame proper between three triskeles a hammer argent.  zPY- XThe name it consists of three given names: Mac Laisre is a given name, not a patronymic (and since it  means `son of flame', it can't well be reinterpreted as a patronymic). No evidence has been found for  xP- the use of two given names in Irish, let alone three with no surname. That, combined with the fact that  zP- M1chel is a modern spelling of older M1ch)l, while Dau1d (rather than David) is an older spelling of  zP}- {modern Daibhead, is sufficient cause for return. While the submitted allowed minor changes, changes  0sufficient to correct the problems here were not felt to be minor. You might recommend to him the changes suggested by Palimpsest.(#  zP-  X` ` As drawn, this conflicts with Reginleif the Unruly (SCA), Sable on a flame gules fimbriated Or,  zP- za roughlegged draft horse forcene argent. There is one CD for the addition of the triskeles, but nothing for the change to type only of the tertiary.(#  yP - Maire Pacok ONolan. Device. Argent, a peacock in its pride vert.  zP - XConflicts with Mahala de Sorbonne (SCA), Argent, a peacock in its pride proper, a bordure invected  zP - !purpure; Munt (Papworth, p. 329), Argent, three peacocks in pride proper; and Tannis of Tirydon  zPX - (SCA), Argent, a peacock passant regardant bendwise proper. As noted by Laurel in the LOAR of  October 1992, p. 29, "peacocks have green bodies". As a consequence, there is only one CD against  Mahal for the removal of the bordure; one CD against Munt for change in number; and a CD against Tannis for posture.(#  yPB- Robert Fergus. Name.  0XConflict with Robert Ferguson, a 17th Century British conspirator and pamphleteer, and with Robert  yFerguson, an 18th Century Scottish poet; each of them have their own entry in the Encyclopedia Britannica.  Per the recently revised RfS V.1.a.ii.a., the bynames are insufficiently different in sound. ("Two bynames  xPc- of relationship are significantly different if the natures of the relationships or the objects of the relationships  zP+- kare significantly different. ...Richards is equivalent to Richard and to Richardson; in each case the sound is insufficiently different."(#  yP-  Y Turris Aquilae, Shire of. Device. Or, on a hurt an eagle displayed Or and on a bordure azure a laurel wreath Or.  XThe laurel wreath is not, and indeed on a bordure cannot be, a wreath, which when properly drawn is nearly a closed circle. Rather, here it is "two sprigs of laurel, stems crossed in base". (#  yO6 ATLANTIA None.  yO  CAID  yP!- Alastar the Arcane. Name and device. Sable, two skulls and a mandrake, a bordure argent.  xPw"- zXIt is very unlikely that a rare, scholarly word (meaning "hidden") borrowed from Latin in very late period  would have been used as a byname in our period of study. And while the name does not in any way  xP$- conflict with that of Aleister Crowley, the early twentiethcentury writer on "Magick", the combination of  given name, byname, and device certainly reminded more than half the commenters of him. Given the  >volume of that reaction, I believe that RfS I.3. (Inappropriate Claims) applies here. ("A name and piece  of armory may reinforce each other and appear to make a claim that is not perceived in either item by  itself. If someone reasonably educated in period and modern history and culture would perceive a claim, that claim will be held to exist even if it is unintentional.")(# "(-$,$,{*"Ԍ yP- [Catriona Stewart of the Glens. Device. Azure, a cross patonce between four roses, a bordure argent.  zP- XConflict with John mackay Bernard (Combo I, p. 283, from Lyon I), Azure, a cross flory between four  zP- z[bear's heads couped argent muzzled gules within a bordure argent. There is only one CD for the change to the type of secondary charges.(#  yP- Dun Or, Barony of. Badge. Sable, an open book Or.  zP- kXConflict with Dean and Chapter of Raphoe, A book, as the entry in Papworth makes it clear that this is a seal, which is tinctureless. Thus, there is only one CD for fieldlessness.(#  yP- Dun Or, Barony of. Badge. Sable, a tower per pale Or and azure, a bordure argent.  kXUnfortunately, even on the large emblazon, the tower was not recognizable as such because of the lack of  ]contrast between its azure half and the field. Even though the charge is technically neutral, and could  therefore be displayed on any tincture field, identifiability must be maintained. Here, it is not. See RfS  VII.7.a. ("Elements must be recognizable solely from their appearance.") and VIII.3. ("Armorial Identifiability - Elements must be used in a design so as to preserve their individual identifiability.")(#  yP -  , Eirik the Wandering. Name and device. Per pale sable and argent, five roundels in saltire counterchanged, a chief gyronny argent and sable.  \XNo one was able to document an authentic English byname formed from the present participle of a word.  zP-Could we interest the submitter in a documentably period form such as Wydefare 1279 (J?nsj?, 190)?(#   X` ` We would expect that in a chief gyronny that the gyrons would issue from the corners of the chief  as opposed to the unusual drawing style used here. There was also some question as to whether the  combination of divided field with counterchanging five charges in saltire and a gyronny chief all in the  |same two tinctures could be considered excessive. See, e.g., RfS VIII.3. ("Armorial Identifiability -  Elements must be used in a design so as to preserve their individual identifiability. Identifiable elements may be rendered unidentifiable by ... excessive counterchanging....")(#  yP$- Joan Atzur d'Andorra. Device. Sable, on a sun between three caltrops Or a caltrop sable.  zP-  XConflict with Kourost Bernard of the East Woods (SCA), Sable, a sun eclipsed Or. There is one CD for the addition of the caltrops, but nothing per X.4.j.ii. for the change to type only of the tertiary.(#  yPG-   Philippe de Tournay. Device. Sable, a chevron gules fimbriated between three pairs of calipers Or, in base a reremouse argent.  zP- XConflict with Bawdrick (Papworth, p. 481), Sable, on a chevron argent, another gules. There is a CD  \for the addition of the secondary charges but nothing for the change of the tincture of what is essentially fimbriation.(#  yP-   Rhiannon Alricesdohtor. Device. Barry wavy argent and azure, an escallop inverted counterchanged, on a chief azure two mullets of four points Or.  xP- XThis is an excessive use of counterchanging. Period style would have the field or the primary as barry,  not both. RfS VIII.3.: "Armorial Identifiability - Elements must be used in a design so as to preserve their  #individual identifiability. Identifiable elements may be rendered unidentifiable by ... excessive  counterchanging.... For instance, ... [a] complex divided field could obscure the identity of charges counterchanged." Such appears to be the case here.(#  yP;#- Sionan de Prendergast na tSeanachaidhe. Name.  zP$- XThe submitter's arguments are not on point. She appears to be confused as to the difference between an  zP$- and na. It is not a simple difference of gender. In modern Irish na is used in the feminine genitive  zP%- ksingular and in all cases and both genders of the plural; everywhere else the form an is used. In particular,  zPb&-  an is used in the nominative singular of both genders. Since the byname is in apposition, must therefore  zP,'- be in the nominative case, so the article is an irrespective of the gender of seanchaidhe (or the person   named). Moreover, the examples have nothing to do with the construction used in her name, as in each case the article is in the genitive.(#   nX` ` As noted by the submitter, Irish has indeed undergone great changes. But the language still has  ka real grammatical structure; it isn't chaotic. Joyce's statement to the effect that Irish `degenerated' after  Mthe AngloNorman invasion is more a matter of taste than historical fact; it would be safer to say simply"+-$,$,-"   that it changed. The loss of `pure grammatical forms' to which he refers need be nothing more than the  difference between Middle Irish and Early Modern Irish. Certainly there is no reason to suppose that he  /is describing a complete breakdown of the underlying grammatical system. The Norman invasion caused  a breakdown only in the strongly and artificially conservative tradition of written Irish. Written Old Irish  was a monopoly of the monasteries who, for reasons of their own, used a "classical" form of the language,  much as medieval scholars continued to write in classical Latin as the spoken language took off on its own  zpath. The profusion of dialectal variants that show up in written Irish after a clump of disasters including  " but not limited to " the Norman invasion interrupted the monastic written tradition merely reflect the  profusion of spoken dialects that had existed all along rather than a sudden breakdown of the language. (Laurel's thanks to both Palimpsest and Harpy for the extensive research on these issues.)(#  yP- Wulfhere Slaende Falk. Badge. [Fieldless] A falcon striking to sinister argent.  zPa - XConflict with Johann Klaus Drager (SCA), Per pale sable and vert, an eagle rising to sinister, wings  zP+ -elevated and addorsed, argent. There is only one CD for fieldlessness.(#  yO  CALONTIR  yP- Maire O'Shannon. Device. Barry wavy vert and argent, a seaunicorn contourny azure.  @XThe field needs to be drawn more clearly and boldly wavy; even the large emblazon was more like  irregularly "ripply". At the same time, it might be well to show the submitter what the standard seamonster "erect" posture looks like.(#  yO EAST  yPV-   Alex of Kintail. Device. Per pale sable and Or, a cross formy throughout gules and overall a doubleheaded eaglewinged wyvern doublequeued displayed per pale Or and sable.  XThe cross is somewhere between a plain Latin cross throughout and a Latin cross formy throughout. As  such, it is ambiguous, and needs to be redrawn as one or the other. The overall charge also has problems  of ambiguity. The use of eagle's wings make it nearly impossible to distinguish from a doubleheaded  eagle, except the doublequeued tail is clearly not a bird's. As this kind of ambiguity is precisely the kind of thing that heraldry seeks to avoid, it should be drawn more clearly as either an eagle or a wyvern.(#  yP- Allyn MinTeanga . Name.  MXThe byname needs a couple of minor changes to correct the grammar. The hyphen appears to be only a  >lexicographical device to indicate the construction and is therefore not part of the name, and the second  zP- element needs to be aspirated, resulting in mintheanga. However, as the submitter allowed no corrections whatsoever to the name, we are having to return it.(#  yPJ-   Araki Yatarou Takeyoshi . Device. Gules, a triangle inverted between three triangles one and two, all between three broadarrows inverted argent.  kXThe arrangement of the triangles does not appear to be a period arrangement, but a modern artistic style. The device overall is neither good Japanese style nor good European style.(#  yP3#-   Caitlin Guttormsdottir . Device. Per pale argent and purpure, in pale a Viking tent arch and a unicorn statant counterchanged.  |XThe College has not previously registered a "Viking tent arch" as a charge. As a consequence, this  ]registration (and/or one of the others in this LoI) would be the "defining instance", and we need some  documentation for it: either that it appeared in period armory in this form or that it is a period artifact and that this is its standard or typical form.(# "'-$,$,)"Ԍ yP- Cett Donegal . Device. Sable, on a chevron between three horses rampant argent, three oak leaves vert.  zP- XConflict with Davies (Papworth, p. 485), Sable, on a chevron argent, three trefoils slipped vert. There  is a CD for the addition of the secondaries, but the consensus among the commenters was that there was  \not the substantial difference required by X.4.j.ii. to grant the necessary second for the change to type of the tertiaries.(#  yP-  x Ciaran Islwyn . Badge. [Fieldless] A tree issuant from a mount couped per pale vert and Or, the sinister half blasted.  =XThe blazon on the LoI accidentally left out the tincture of the dexter half. However, the style of the badge,  zcombining as it does what are essentially two variants of a single charge, is not good style and is sufficient  grounds for return (rather than pending it for research under the corrected blazon). "The difference  between the types of bladed weapon [sword and poignard] [is] a distinction rather than a difference and  yPd - a distinction that would not have been made normally in period heraldry." (Alisoun MacCoul of Elphane, LoAR 23 April 1988, p.13) (#  yP - Delftwood, Barony of . Badge. Argent, a windmill, sails in cross, within a bordure embattled azure.  XThe sails of the windmill are effectively invisible here, even on the large emblazon. As a consequence,  not only is the primary charge unidentifiable (itself grounds for return), but there are several conflicts,  zP- including Durner (Manesse 101, cited in Combo I, p. 658), Argent, a bell tower azure, roofed gules  zP- containing a bell argent; de la Tour (Papworth, p. 364), Argent, a tower with a steeple azure port gules;  zP- and Felice of Mayhem House (SCA), Argent, a broken tower azure, the upper half bendwise illuminated  zPt-Or. In each case there is only the fieldless CD.(#  yP-   Donnchadh Dubhghlas . Device. Or, three wolves passant regardant conjoined by the tail in pall within an annulet gules.  XThere were no period exemplars of either beasts conjoined at the tails or for this type of rotational  /symmetry to which any of the commenters could point. All of the tricorporate beasts we could find had a single head; conjoining at the tails does not appear to be period style.(#  yP-   Douglas Cameron Fitzrery . Device. Per chevron vert and azure, two fleursdelys and a standing balance, on a bordure Or, three thorn vines entwined in orle vert.  =XAs noted by one commenter, "The stuff on the bordure is unacceptably thinlined and looks like knotwork."  We have had a longstanding ban on the registration of knotwork. "The orle is in essence a form of Celtic  knotwork, which has been ruled illicit for Society use (`Knotwork is not, by and large, heraldic.' Karina of the Far West, July, 1979)." (Alisoun MacCoul of Elphane, LoAR 28 December 1986, p.15)(#  yP0- Eibhlin Niccluir . Name.  /XThe "patronymic" is unattested in the documentation. The only variant discussed in the documentation  xP- (dated to 1637) is Makcluir. Further, as an anglicized variant it is unlikely to have been combined with  a Gaelic borrowing of the Norman Avelina and Emeline. The combination of two unlikely components is sufficient to cause return for rework and/or better documentation.(#  yP -  J Galinda of the Sea . Device. Purpure, a Maltese cross argent surmounted by a Star of David Or, and in chief a dove volant to sinister argent.  XThe star overlying the cross in this manner is visually confusing and obscures the identity of both charges.  See RfS VIII.3.: "Armorial Identifiability - Elements must be used in a design so as to preserve their  Nindividual identifiability. Identifiable elements may be rendered unidentifiable by ... being obscured by other elements of the design."(#  yPZ&-  I  Gavin Mac Ciaran . Name and device. Per pale vert and argent, two Oriental dragons combattant counterchanged within a bordure sable.  xP'- >XThe patronymic would be formed as Mac Ciarin, not Mac Ciaran. As the submitter allowed no changes, we were unable to correct it.(#  XThe dragons are not "combattant"; indeed, no one was able to come up with a good blazon for their posture  /here ("combattant demitergiant"? "combattant displayed aversant"?). As a consequence, we are unable to register them.(#" +-$,$,-"Ԍ yP-ԙ Gregor of Falcon's Roost . Name.  xP- >X The locative is entirely unlikely. As Harpy noted in her commentary, "The English language has " and  had during period " a perfectly good technical term for the place where falcons `roost'. It's called a  `mews'. I find it no more likely that a person in period would have felt the need to coin the term `falcon's roost' than he would have felt the need to coin `horse shed' to describe a stable."(# X` ` The armory was registered under the holding name Thomas of Endless Hills.(#  yPy- Gregory of Lyme Regis . Device. Sable, a sun and on a chief Or, in pale a sword reversed and a sword sable.  zPB- XConflict with Otto the Obscure (SCA), Sable, a mullet of four greater and four lesser points, on a chief  zP -  Or a spear fesswise sable. There is a CD for the changes to type and number of tertiary charges, but per  \the precedent set in the LoAR of April 1993, p. 12, nothing for the change between a sun and a compass star (citing an earlier precedent granting no difference between a sun and a mullet of many points).(#  yP. - Guttorm Arnessen . Device. Per pale argent and gules, in pale a Viking tent arch and an annulet counterchanged.  |XThe College has not previously registered a "Viking tent arch" as a charge. As a consequence, this  ]registration (and/or one of the others in this LoI) would be the "defining instance", and we need some  documentation for it: either that it appeared in period armory in this form or that it is a period artifact and that this is its standard or typical form.(#   @X` ` Blazoned in the LoI as a "targe", the large emblazon had the center "circle" tinctured as the field,  leaving the visual effect of an annulet counterchanged on the per pale field. We were unsure what to make  Mof the two interlaced lines on the annulet: on the one hand, they could simply be considered as diapering; on the other hand, they were drawn in black. In either case, they seem to be unblazonable.(#  yP- John Quest . Name.  \XConflicts with Jonny Quest. (Yes, I know he's a cartoon character. He is also, based on the commentary  and reactions among those attending the Laurel meeting, apparently sufficiently wellknown to meet Baron  Bruce's guidelines for conflict with cartoon characters. See Cover Letter of 5 December 1992, p. 2). The  \discussion in the LoI regarding the different derivations of John and Jonny are not really to the point. A  significant percentage of people hearing the name John Quest will immediately think of the cartoon  ycharacter (even the "nonherald" attending the Laurel meeting cited the cartoon character immediately upon hearing the name, with no other background or hints).(#  yP- Knut Guttormsson . Device. Per pale argent and azure, in pale a Viking tent arch and a boreas counterchanged.  |XThe College has not previously registered a "Viking tent arch" as a charge. As a consequence, this  ]registration (and/or one of the others in this LoI) would be the "defining instance", and we need some  documentation for it: either that it appeared in period armory in this form or that it is a period artifact and that this is its standard or typical form.(#  yP- Miriam Meggett . Device. Azure, a pile inverted ploy) argent ermined azure between two cups Or.  zP- XConflict with Ovingham (Papworth, p. 676), Per chevron sable and ermine, in chief two cups covered Or.  There is only one CD for the changes to the field, as we have traditionally not granted difference between per chevron chap) and a pile inverted.(#  yP!- Morgan ap Harry. Alternate persona name for Eduardo Negro y Albo.  XWe need some documentation for the form of the byname; none of the commenters cited any examples of  \"[surname] y [surname]" to period. It is especially needed here, where the byname literally means "black and white".(#  yP%- Nicoletta di Padova . Device. Gules, a swan naiant and on a chief argent three roses gules.  zPV&- MXConflict (as cited in the LoI) with Parlan MacGillivray (SCA), Gules, a swan naiant, wings elevated, and  zP '- on a chief argent three trefoil knots gules. There is a CD for the change to the type of tertiary in this simple armory, but the change in wing position is insufficient for the necessary second.(# "(-$,$,*"Ԍ yP-  x !Olav Guttormsson . Device. Per pale argent and sable, two dragon's rails conjoined in annulo and in chief a viking tent arch, all counterchanged.  |XThe College has not previously registered a "Viking tent arch" as a charge. As a consequence, this  ]!registration (and/or one of the others in this LoI) would be the "defining instance", and we need some  documentation for it: either that it appeared in period armory in this form or that it is a period artifact and that this is its standard or typical form.(#   ^X` ` A number of commenters also had difficulty identifying the charge in base. Most thought it some  kind of torque. And as Green Crown noted: "This rendering of a dragon's tail was declared unregisterable in the August 1992 LOAR (p.27); conjoining two of them only makes things worse."(#  yP-   Ori Vidfari . Name and device. Per fess embattled sable and azure, on a demiplate issuant from the line of division a doublebitted axe gules, and in base seven mullets of four points in annulo Or.  OXThe name was only documented as the name of a dwarf, a mythological creature, and none of the commenters could document it as a name used by humans, in or out of period.(#   ^X` ` The device is right at the edge of the complexity limits of VIII.1.a. That, combined with its very  modern "feel". (See, e.g., RfS VIII.1.b.: "Armorial Balance - Armory must arrange all elements coherently in a balanced design.")(#  yP- Rhonwen Angharad . Device. Vert, a heronheaded torque argent.  zP-  XConflict with Gyra (Riestap), Vert, an annulet argent. As in earlier returns of other armory in 1991 and  1992, there is only one CD between a torque and an annulet. Additionally, some commenters question whether any artifacts with this type of head have ever been found.(#  yP- Rosalind Ashworthe . Device. Ermine, a rose proper between three gouttes de larmes, a bordure gules.  /XThe use of gouttes intermingled with ermine spots of about the same size is visually confusing, as, as one  commenter noted, the "gouttes get lost among the ermine spots". As they are necessary to clear a conflict  zPV- with Beverly (Papworth, p. 859), Ermine, a rose gules, they must be visually prominent, and they are not here.(#  yP-   Saint Swithin's Bog, Shire of . Badge. Gules mailed Or, on a bezant a raven displayed wings inverted head to sinister sable.  zPA- XConflict with Gwynaeth Math o Ddylluan (SCA), Sable, a bezant charged with a raven on a branch  zP - bendwise all sable. There is a CD for the field, but the changes to tertiary charges are insufficient for the necessary second.(#  yO- MIDDLE  yP- Daibhidh Ruadh MacLachlan. Badge. [Fieldless] A lymphad gules sail set argent.  zP-  XConflict with Noble (Papworth, p. 1089), Or a galley, sails furled and oars in action, gules, flags azure;  zPP- Neville (Combo II, from FoxDavies p. 127), A ship; Both (Woodward, p. 370), Argent, a boat gules, and  zP - zWolfo (Papworth, p. 1089), Or, a boat gules. In each case, there is one CD for fieldlessness, but nothing for changing the tincture of the sail.(#  yPt"- David mac Dougal mac Rori. Badge. [Fieldless] A melusine with tails to base vert.  zP=#- XConflicts with Colin of Duntamknackam (SCA), [Fieldless] A merman bow in dexter and arrow in sinister  zP$-tail raised to sinister. There is only one CD for fieldlessness.(#  yP%- Rising Waters, Barony of. Badge. [Fieldless] A fire arrow Or enflamed proper.  zPb&- XNumerous conflicts (from Papworth, Hawley's Mon, and Combo II (from Fabulous)) with [Field], an  zP,'-arrow Or. In each case there is only one CD for fieldlessness.(# "(-$,$,*"Ԍ yO TRIMARIS  yP- Damin Daskal De Valerio. Name.  XNo evidence was presented that Daskal is a period form; a book on American family names is not good  documentation for our purposes, as many foreign names have undergone odd transformations in this  zP- country. Daskal appears to be a simplification, American and/or modern, of didskalos `a teacher,  xP- /master'. The documentation for the surname is for the surname Valera (with "a" instead of "io"; Valerio  is an Italian given name, not a locative, and its use with "de" here is inappropriate. We need better documentation for both these parts of the name.(#  yP-    FiskaSilvester Lotharssohn. Device. Per fess argent and sable, a domestic cat passant contourny sable and a codfish naiant contourny counterchanged.  zXThe cat is not really "passant" (one of the suggestions in the commentary was "mouse-ant"), and the fish  has so much black in its outline and detailing that on the large emblazon it was necessarily fimbriated to show its outline. For both problems, we are having to return this for redrawing of both charges.(#  yP - Lucia del Mar. Device. Azure, a goat's head couped, a chief wavy argent.  zPM - XConflict with Geoffrey of Northaven (SCA), Azure, a kid's head erased and on a chief nebuly argent three  zP-English robins volant proper. There is only one CD for removal of the tertiaries.(#  yP- Lucia del Mar. Badge. Azure, a goat's head couped within a bordure argent.  zPr- XConflict with Carlos Richey (SCA), Azure, two rams heads in bend sinister erased and respectant within  zP<-a bordure argent. There is only one CD for the change in number of primary charges.(#  yP- Meghan Oriana Lauder. Badge. [Fieldless] Four hearts voided interlaced in cross, points outward, Or.  zXAs several of the commenters noted, the hearts lose their identifiability when arranged and interlaced this  zP_- way. Additionally, there is a visual conflict with Eilis ni Roibeard O'Boirne (SCA), [Fieldless] A  zP)-  quatrefoil knot. There is a CD for fieldlessness, but the differences between the two "knots" is too small to grant the necessary second.(#  yP-  I  NicoleJulienne Laviolette. Device. Per chevron azure and vert scaly Or, three fleursdelys in chevron, each within a mascle Or.  X"The use of multiple gold fleursdelys on blue is not permitted in SCA armory: it is too strongly  suggestive of a claim of connection to French royalty. ... The prohibition is supported by period practice.   ... The period examples are so numerous that I feel I must uphold the Society's ban on gold fleursdelys  on blue backgrounds." (Bruce Draconarius of Mistholme, LoAR July 1992, p. 23) That the fleurs here are within mascles does not lessen the suggestion of that claim.(#  yO WEST  yP -   Alleyn of Kent. Device. Gules, a chevron embattled potent between two reremice displayed and a tyger rampant Or.  0XThe embattled line of division of the chevron is so badly broken up by the fur that while one can tell  readily that "something" is going on there, it takes a little time to determine just exactly what. The  complex line of division is simply not "readily identifiable", and ready identification is one of the hallmarks  of period style heraldry. See RfS VII.7.a. ("Elements must be recognizable solely from their appearance.")  zand VIII.3. ("Armorial Identifiability - Elements must be used in a design so as to preserve their individual identifiability.")(#  XSeveral commenters asked what the tinctures were of the chevron: they are blue and white, just as would  be a chevron vair. Potent is a vair variant, and has the same default tinctures. (Had the blazon been "a  xP'-chevron embattled potenty", now....)(# "(-$,$,*"Ԍ yP- Krista al Kamil. Name.  XNone of the commenters were able to find better documentation for the given. As the submitter's own  zP- zsource, Family Names in Australia and New Zealand, is clearly postperiod and had no dated citations for  the name, the name must be assumed without better evidence to be postperiod. The example of combined  >Arabic/Spanish names is not sufficient support for combined Swiss/Arabic names. (The submitter seemed  to be confusing the Swedes and the Swiss in her documentation. Caches of Arab silver coins have been  found in Scandinavia, not Switzerland. And the presence of Arabic silver coins in Sweden is only evidence  >that the trade routes extended that far, not that the people at the two ends of those trade routes had any direct dealings with each other.)(#  yP- Swan the Red of Stonehall. Device. Argent, a swan naiant contourny gules.  zP- XConflict with Jocea Anne Gallowglass (SCA), [Fieldless] A swan naiant contourny gules. There is only one CD for fielded vs. fieldless.(# " -$,$,N "  yOYsN_Y yO PENDEDSPage ` (#EMAY 1994 ă Y THE FOLLOWING HAVE BEEN PENDED UNTIL THE AUGUST 1994 LAUREL MEETING:  yO ANSTEORRA  yP - Angus Patrick de Ruthven. Device. Argent, on a pale between two fleursdelis gules an axe reversed argent. XThe LoI accidentally dropped the tincture of the pale and fleurs.(#  yOA MIDDLE  yP- Daibhidh Ruadh MacLachlan. Badge. Gules, a lymphad sail set argent within a bordure embattled Or. XThe tincture of the bordure was accidentally left out of the blazon in the LoI.(#