Precedents of Bruce Draconarius of Mistholme

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LEAF


[Four oak leaves in cross v. four holly leaves conjoined in cross] We have hitherto granted a CD for type of a single leaf: oak leaf vs. maple leaf (Karl the Meek and Mild), or oak leaf vs. elm leaf (Siobhan O Riordain). But this is offset here by the identical motifs: the arrangement and conjoining in cross add to the visual similarity. [returned for visual conflict] (Anne Chavelle of Silver Oak, July, 1992, pg. 22)


Aspen leaves should be drawn with jagged edges ...not smooth edges. (Barony of Caerthe, October, 1992, pg. 16)


[Two maple leaves in chevron inverted, conjoined at the stems] Against the various possible conflicts cited in the commentary (e.g. [four holly leaves in saltire, stems to center]), in each case I count a CD for number and a CD for type of leaf. (Angelina Foljambe, December, 1992, pg. 6)


[Three leaves conjoined in pall inverted within a annulet vs. A trillium and a chief] There's a CD for changing the annulet to a chief, but the central charges are indistinguishable. (Jaric de l'Ile Longe Sault, January, 1993, pg. 28)


[A seeblatt] Lord Leveret (now Lord Brachet) has brought up a possible conflict with the badge of Douglas, Earls of Douglas (Fox-Davies' Heraldic Badges): [A heart]. His staff has found evidence that the blazon seeblatt could be emblazoned either in its standard form, or in a form indistinguishable from a heart (in the arms of the Duchy of Engern, 16th Century). I've found corroboration in Neubecker & Rentzmann's 10000 Wappen von Staaten und Städten, pp.147, 285: the arms of the Bishopric of Vyborg, in Finland, were blazoned (and emblazoned) either as three hearts conjoined in pall inverted or three seeblätter conjoined in pall inverted.

There are still enough distinct renditions of seeblätter and hearts in period (e.g. the Armorial de Gelre, or Siebmacher) that I hesitate to rule them purely artistic variants. However, there can clearly be cases of visual conflict involving the charges, and the [submitter's badge] is such a visual conflict [returned for this and also for conflict with a water-lily leaf]. (House Windsmeet (Caitlin Davies), May, 1993, pg. 17)

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